83×120cm 创作年代 清早期 说 明：此件屏风为八件式，黄花梨外框，单扇精巧窄直，联屏华美古雅。屏面以黄花梨为框，竖向分为六版。首版透雕灵芝云纹，尾板透雕团身蟠螭纹。中间四段，均为石画人物版心。三块近似正方，一块较大，为长方。人模绘写传神，书法字迹飘逸，器物花卉古雅。屏风中间六扇为同一形制。首尾两扇为同一形制，竖向分割与前者相同，却在中间版块又左右分为两份。各做炮仗形开光一条。此屏风古香古色，尽含机巧，工料皆精。木料硬润，颜色不静不喧，纹理或隐或现，生动多变。设计巧妙简雅。包浆厚润，端庄静穆，精美至极，将明代家具中沉静素美、动静相宜之感微妙融入，堪称惊奇之作，加之品貌上佳，极具艺术价值，确为藏海遗珍。

The creation age of 83 *120 cm in the early Qing Dynasty shows that this screen is eight pieces, with yellow pear frame, a single fan is exquisite, narrow and straight, and a couplet screen is beautiful and elegant. The screen is framed by Huanghua Pear and vertically divided into six editions. The first edition is carved through Ganoderma lucidum moire and the tail plate is carved through the body of the group. The middle four sections are the heart of stone figure engraving. Three are approximately square, one is larger and the other is rectangular. The figure painting is vivid, the handwriting is elegant, the utensils and flowers are ancient and elegant. Six fans in the middle of the screen are of the same shape. The first and last two fans are of the same shape, and the vertical segmentation is the same as the former, but in the middle section, they are divided into two parts left and right. Each made a cannon barrel to open one. This screen is antique, full of ingenuity and excellent workmanship. The wood is hard and moist, the color is quiet and not noisy, the texture is hidden or visible, vivid and changeable. The design is ingenious and elegant. It's amazing that the thick pulp, solemn and quiet, exquisite, and delicate blend of the quiet and quiet beauty of Ming Dynasty furniture with the appropriate feeling of movement and quiet, together with its fine appearance, has great artistic value and is indeed a treasure of Tibetan Sea.