齐白石的虾在中国画坛可称一绝，他的虾早年以青藤、八大、李复堂等先贤前辈为师，后实际观察写生，逐渐掌握了虾的结构与动态的要领，开始领悟到写生与笔墨结合的奥妙。七十岁之后画虾已臻炉火纯青的境界，笔墨法则返璞归真，简练又生趣奕奕，形神具备。此幅群虾图笔墨愈发舒卷自如，画虾技艺之精湛令人叹为观止。图绘七只长臂河虾。虾头上的几笔，有墨色的深浅浓淡，水份的渗透干湿，从而表现出一种动感。
Qi Baishi's shrimp can be said to be a must in Chinese painting. His shrimps used the Qingxian, Bada, Li Futang and other sages as their teachers. After that, they actually observed the sketches, gradually mastered the structure and dynamics of the shrimps, and began to understand the sketches and pens. The mystery of the combination. After the age of seventy, the shrimps have been smashed into the realm of pure fire, and the rules of ink and brush are returned to the truth, concise and interesting, and the gods are in shape. This group of shrimps and pens are more and more comfortable, and the skill of painting shrimp is amazing. The picture depicts seven long-armed river prawn. A few pens on the head of the shrimp have a dark shade of ink, and the moisture penetrates into the wet and dry, thus showing a sense of movement.
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